An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and Laszlo Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included "The Ring," a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design.
Paul Stirton is associate professor of modern European design history at Bard Graduate Center in New York City and the editor-in-chief of West 86th: A Journal of Decorative Arts, Design History, and Material Culture.
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Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized. Bestandsnummer des Verkäufers M0300243952Z3
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Paperback. Zustand: Fine. 254 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. This is a nice paperback with French flaps. No remainder mark. PLEASE NOTE: The book is still in the original publisher shrink wrap. Bestandsnummer des Verkäufers 088900
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Zustand: New. 2019. Paperback. In publisher's shrinkwrap. New. Bestandsnummer des Verkäufers P012972
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Soft Cover. Zustand: Fine. First Edition /First Printing. soft cover, folded card covers, as issued., no flaws or wear. clean. no markings. tight binding. an unused copy.; xvii-254pp., 93 illustrations, mostly color. very well done. Size: 8vo - over 7¾" - 9¾" tall. Exhibition Catalogue. Bestandsnummer des Verkäufers 20663
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Taschenbuch. Zustand: Neu. Neu -Dieses Buch ist reich bebildert mit Bildern aus Jan Tschicholds wenig bekannter Privatsammlung und erkundet eine legendäre Figur in der Geschichte des modernen Grafikdesigns anhand der Künstler, Ideen und Texte des Bauhauses, die ihn am meisten beeinflusst haben. Tschichold (1902-1974), ein produktiver Designer, Schriftsteller und Theoretiker, stand an der Spitze einer Revolution der visuellen Kultur, die gedrucktes Material elementarer und dynamischer machte. Seine Entwürfe wurden auf alltägliche Grafiken angewandt, von Plakatwerbung und Visitenkarten bis hin zu Buchumschlägen und Rechnungen. Dieser gradiose Band bietet ein neues Verständnis von Tschicholds Werk und den zugrundeliegenden Theorien der von ihm mitbegründeten künstlerischen Bewegung, indem er seine Sammlungen analysiert: Illustrationen, Anzeigen, Zeitschriften und Bücher von bekannten Persönlichkeiten wie Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko und László Moholy-Nagy sowie von weniger bekannten Künstler-Designern wie Willi Baumeister, Max Burchartz, Walter Dexel und Piet Zwart. Das Buch zeichnet auch die Entwicklung der Neuen Typografie nach, einer breit angelegten Bewegung in Mitteleuropa, zu der auch die 1927 von Schwitters gegründete Gruppe »Der Ring« gehörte. Tschichold spielte eine entscheidende Rolle bei der Definition dieser Bewegung und dokumentierte die Theorie und Praxis in seinem einflussreichsten Buch, »The New Typography« (1928), das noch immer als wegweisender Text für das Grafikdesign gilt. (Text engl.) 272 pp. Englisch. Bestandsnummer des Verkäufers 1558854
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Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Zustand: as new. New Haven & London : Yale University Press, 2019. Paperback. xvii,254 pp. 23x18 cm. - An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts from the Bauhaus that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and Laszlo Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included The Ring, a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design. Published in association with the Bard Graduate Center Exhibition Schedule: Bard Graduate Center, New York (02/15/19-07/07/19) Condition : as new copy. ISBN 9780300243956. Keywords : TYPOGRAPHY, Bestandsnummer des Verkäufers 297298
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Trade Paperback. Zustand: New. An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design Richly illustrated with images from Jan Tschichold's little-known private collection of design ephemera, this important book explores a legendary figure in the history of modern graphic design through the artists, ideas, and texts that most influenced him. Tschichold (1902-1974), a prolific designer, writer, and theorist, stood at the forefront of a revolution in visual culture that made printed material more elemental and dynamic. His designs were applied to everyday graphics, from billboard advertisements and business cards to book jackets and invoices. This handsome volume offers a new understanding of Tschichold's work, and of the underlying theories of the artistic movement he helped to form, by analyzing his collections: illustrations, advertisements, magazines, and books by well-known figures, such as Kurt Schwitters, El Lissitzky, Aleksandr Rodchenko, and Lászlà Moholy-Nagy, and lesser-known artist-designers, including Willi Baumeister, Max Burchartz, Walter Dexel, and Piet Zwart. This book also charts the development of the New Typography, a broad-based movement across Central Europe that included 'The Ring,' a group formed by Schwitters in 1927. Tschichold played a crucial role in defining this movement, documenting the theory and practice in his most influential book, The New Typography (1928), still regarded as a seminal text of graphic design. An original account of the life and work of legendary designer Jan Tschichold and his role in the movement in Weimar Germany to create modern graphic design. Bestandsnummer des Verkäufers 298383
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