Like an Old Testament prophet, the photographer Danny Lyon has agitated for his fellow man to pursue justice and freedom. This was not always a popular message, nor a lucrative one, but that wasn t how he saw his role. "The New York Times"
Armed with a Triumph, a Nikon, and a unique dual perspective as both participant and observer, Lyon was able to access and portray a disarmingly intimate, familiar, and diverse subculture. "LA Weekly"
A seminal work in the modern photography canon "Time"
Whether shooting civil-rights protesters, motorcycle gang members or Texas inmates, the photographer empathized with his subjects sometimes getting so close, he took up their cause. "The Wall Street Journal"
Mr. Lyon did more than anyone outside Hollywood to establish the image of the outlaw biker. "The New York Times" Wheels blog "
Like an Old Testament prophet, the photographer Danny Lyon has agitated for his fellow man to pursue justice and freedom. This was not always a popular message, nor a lucrative one, but that wasn t how he saw his role. The New York Times
Armed with a Triumph, a Nikon, and a unique dual perspective as both participant and observer, Lyon was able to access and portray a disarmingly intimate, familiar, and diverse subculture. LA Weekly
A seminal work in the modern photography canon Time
Whether shooting civil-rights protesters, motorcycle gang members or Texas inmates, the photographer empathized with his subjects sometimes getting so close, he took up their cause. The Wall Street Journal
Mr. Lyon did more than anyone outside Hollywood to establish the image of the outlaw biker. The New York Times Wheels blog"
First published in 1968, The Bikeriders explores firsthand the stories and characters of the Chicago Outlaws Motorcycle Club. The journal-size title features original black-and-white photographs and transcribed interviews made from 1963 to 1967, when Danny Lyon was a member of the Outlaws gang. Authentic, personal, and uncompromising, Lyon’s depiction of individuals on the outskirts of society offers a gritty yet humanistic view that subverts the commercialized image of Americana. Akin to the documentary style of 1960s-era New Journalism, made famous by writers such as Joan Didion, Hunter S. Thompson, and Tom Wolfe, Lyon’s work, like theirs, demonstrates humanitarian interests, advocacy, and “saturation reporting.” The importance of his work and our interest in the subject is reinforced by Lyon’s immersion in his subject.
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Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781597112642. Bestandsnummer des Verkäufers SVALIVCN-9781597112642
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Anbieter: 1984to2001, Louisville, KY, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition/first printing of the Aperture Foundation edition which was personally supervised by the artist. Boldly signed on the title page by Danny Lyon. The book is new and unread there is the very slightest bit of shelf wear and one quarter inch ding to the spine, very light shelf wear to the top edge. A beautiful unread example of this classic in the original format, signed by Danny Lyon. Signed by Author(s). Bestandsnummer des Verkäufers ABE-1735583366373
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