hermann zapf (355 Ergebnisse)

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good. First Printing. Dust jacket is slightly browned. ; 192 pages.

Hardcover. Zustand: Very Good. No Jacket. Hermann Zapf (illustrator). May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.35.

The 2006 Typophile Monograph, New Series, Number 22 Fine paperback exhibition catalog in decorative wrappers (soft cover book).

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Good. No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Zustand: Good. Sub title, some marginal notes on type design.

paper wrappers. Zapf, Hermann (illustrator). small 8vo. paper wrappers. 39+(1) pages. Commemorates Hermann Zapf's winning the 1974 Gutenberg Prize. Includes speech by Giovanni Mardersteig.

Paperback. Zustand: Good. First Paperback Edition. Light soiling and creasing to edge worn wraps; small chips to front panel. Creasing and moderate rubbing along spine. Very light wear and soiling to edges of text block. Rubbing to inside covers. Solid binding. Text and images unmarked. 123pp.

Softcover/Paperback. Zustand: Near Fine. First Edition. Near fine softcover booklet. Six hundred copies were printed in Blumenthal's Emerson Typeface. Typophile Monograph New Series No. Seven. A series of remembrances about Blumenthal. Lightly scuffed with bumped corners, especially creases along top adjacent to spine. May have light sunning on outer edges. Interior clean and bright.

Broschur, 8°. Zustand: Gut. 180 S. Das Buch ist in gutem, sauberen Zustand. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9783787900855 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 351.

Softcover. Zustand: Near Fine. 23, [1] p., 8vo, printed in cream Arches Text Laid paper, untrimmed; duotone plates on Mohawk Superfine paper; sewn light tan Fabriano Ingres wrapper. Designed by Jerry Kelly, who also wrote the introduction. One of 600 copies printed by A. Colish; plates printed by Meriden-Stinehour Press; wrapper title printed by the Kelly-Winterton Press. Typophiles Monograph New Series No. 7. Very good/near fine copy; small light bump to one corner and slight fade to spine.

Softcover. Zustand: Fine. [26] pp. plus 15 full-page illustrations, 8vo, card wrapper, dustjacket. Catalogue of an exhibition at the Grolier Club held from November 16, 2006 - January 12, 2007. Designed by Jerry Kelly. Fine copy.

Soft Cover. Zustand: Near Fine Plus. First Edition - Limited. string-bound wrappers, as issued., only negligible evidence of use/age, no flaws, no markings, tears, or other defects.; printed in an unnumbered edition of 1000 copies. two typographer/book designers on each other. Size: 4to - over 9¾" - 12" tall.

Taschenbuch. Zustand: Gut. 3.erw. und verbe. Auflage. 352,40 Seiten; Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 540.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. THE DUSTWRAPPER IS HEAVILY RUBBED AND FADED TO SPINE. LARGE CHIP TO TOP FRONT AND BUMPING AROUND EDGES. THE FABRIC BOARD COVER IS IN GOOD CONDITION WITH TITLE WRITTEN CLEARLY TO SPINE AND FRONT. NAME STICKER TO FFEP. VERY MILD FOXING TO FORE EDGE. PAGES CLEAR WHITE AND GENERALLY APPEAR CLEAN AND CREASE FREE. ALL IN ALL A NICE EXAMPLE OF THIS BOOK.

Soft cover. Zustand: Fine. Stiff wrappers, DW, slender 8vo., unpaginated(66 catalogue entries), 15 illustrations. Grolier Club exhibition. A fine copy in archival mylar.

Soft cover. Zustand: Very Good. Stiff wrappers, slender 4to., 36 pages, well illustrated, with 12 color plates. The Printing Salesman's Herald, Book 39. Moderate wear to the glossy covers, else very good.

Paperback. Zustand: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Zustand: Very Good. No Jacket. Clean interior with tight binding; cover lightly worn.

Softcover, unpaginated, very good condition; except 2 tears to covers at top edge; no internal marks.

Soft cover. Zustand: Good. Hermann Zapf (illustrator). Glossy wrappers, 4to., pages 42-47. An early article on Zapf illustrated with samples of his work, calligraphy and letter-forms. Worn, soiled and chipped wrappers, else a good copy.

Paperback. Zustand: Very Good or better. Blue card covers, light wear, well bound, clean and unmarked. Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Soft cover. Zustand: Fine. First Edition. Pale gray wraps, lettered in black, with two front cover emblems in red. Essentially as issued. 64 pp., illus. w/ b&w plates, some color, including (4) color bank notes tipped in, pp. 36-37. Catalogue to accompany 13 May - 1 Sept. 1984 exhibition by Friends of the Library, Florham-Madison Campus. Size: 4to - over 9¾" - 12" tall. Book.

paper wrappers. Zapf, Hermann (illustrator). 8vo. paper wrappers. 4 page french fold. An announcement of the presentation of the Frederic W. Goudy Award to Hermann Zapf. Listed are his accomplishments and his type designs from 1940 to 1969.

stiff paper wrappers. Zapf, Hermann (illustrator). 4to. stiff paper wrappers. 36 pages. Designed by Zapf and filled with his comments and illustrations, often produced in color. Covers rubbed with fading.

Soft cover. Zustand: Fine. Stiff self-wrappers with paper spine label, 12mo, unpaginated. Printed in red and black at the Stempel Typefoundry. Folded card offering the book as courtesy of Amsterdam Continental Types. Fine copy in archival mylar.

Soft cover. Zustand: Very Good. 8vo, lettered wrappers.20pp.very good (BB1).

Paperback. Zustand: Gut. unnumbered, numerous figures, Good condition. -- In the fields of printing and graphic design it is generally agreed that the poet in our midst is the type designer. The basis of his profession is a perfect blend of art and science. Moreover, it has been said that a study of the development of letter forms would touch upon the complete cultural activities of man. The great accomplishments of Claude Garamond, Anton Janson, John Baskerville and Giambattista Bodoni are imposing today. The letters invented by these men in previous centuries are still considered as patterns for the norms in printing types. However, these letter forms were conceived to meet a set of requirements which differ completely from those of the modern world. In their times, papers were hand-made and presses were hand-operated. The advent of offset and gravure printing, the advances in high-speed presses and the diversification of printing surfaces have presented restrictions on the use of type faces that were designed in the past. With these new factors, the modern type designer's function is clearly defined and his need is even greater. -- -- Of the many designers of printing types in this century, Hermann Zapf has emerged as one of the most original talents. Since 1939 he has produced over fifty type faces which cover a wide range of styles. He was born in Nurn-berg, Germany, in 1918. His early interest in drawing lead him to seek a position where his abilities might be used. His great desire to become an electrical engineer could not be realized in the Germany of1933. Having no formal art training, he developed by practice his early interest in drawing and thus qualified for employment in a printing firm as a photo retoucher. -- n 1935 he came across the text book, Das Schreiben als Kunstfertigkeit, written by the great German writing master, Rudolf Koch, and commenced his calligraphic exercises with the broad pen. Edward Johnston's excellent book, Writing and Illuminating and Lettering, later served as a guide and introduction to traditional letter forms. The great collection of famous writing-books at the Niirnberg city library presented actual examples of the letter from its earliest written forms. Thus in 1935, with the tremendous discipline so necessary in one who is self-taught, Zapf entered a field in which he is now an acknowledged master. In the spring of 1939 he moved to Frankfurt am Main, where he co-operated with " Haus zum Fursteneck", the printing firm of Paul Koch. Some months later he established himself as a freelance book designer and typographer. Through Gustav Mori, he was introduced to the Stempel type-foundry. In 1940, when he was twenty-two years old, his first type design was cut, the test size of Gilgengart, a German text letter. (Beginning of the introduction) Sprache: Englisch Gewicht in Gramm: 550.

perfect. Zustand: Sehr gut. Seiten; der Stadtbibliothek Nürnberg - 25. Sep. 2002 - 10. Jan. 2003 - tb. Gr. - 9-54-1-L1 H6-Q1VS-LTKF Sprache: Deutsch Gewicht in Gramm: 1.

no dustjacket, hardcover. Zustand: acceptable; used. Prompt Shipment, in Boxes, Tracking First Editions are First Printings. . sm8vo; 45 pages; hardcover no dustjacket; scuff and stain to face board; acceptable; tips bumped; spine head annd heal bumped; clean pages; prompt shipping with tracking.