carceri von battista piranesi, Gebraucht (33 Ergebnisse)

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Zustand: BUONO. Introduzione di Mario Praz. cm.23x29,5, pp.24, numerose tavole bn. fuori testo Coll.I Grandi Libri Illustrati. NOTA:Timbro ex libris. / Milano, Rizzoli Ed. cm.23x29,5, pp.24, numerose tavole bn. fuori testo brossura copertina figurata in bianco e nero. Coll.I Grandi Libri Illustrati. brossura copertina figurata in bianco e nero.

Trade paperback. Very good. No dust jacket. Free.

libro cartaceo. Zustand: Buono. Il cofanetto (se previsto) può presentare modeste tracce d'uso, piccole lesioni, fioriture e macchie non invasive. Sovraccoperta con modeste tracce d'uso. Può presentare piccole mancanze, leggere bruniture, rade fioriture o macchiette. Copertina con modeste tracce d'uso. Può presentare minime mancanze, qualche rada fioritura o macchietta, leggere bruniture o piccole pieghe. Dorso in buone condizioni. Può presentare un fisiologico stress da lettura, piccole mancanze e segni di cedevolezza in prossimità delle cerniere. Tagli moderatamente bruniti; possono presentare fioriture rade. L'interno può presentare modeste tracce d'uso, segni a matita, timbro o firma di appartenenza. Le pagine possono presentare minime gualciture, fioriture non invasive e leggere bruniture. Per Maggiori informazioni o foto non esitate a contattarci.

paperback. Zustand: Good. Paperback--cover has small tear near upper edge of spine--otherwise, excellent condition.

brossura. Zustand: Buono (Good). 80 Buono (Good) Libro usato proveniente da collezione privata. La copertina riporta tracce d'uso. Le pagine risultano imbrunite dal tempo. Interno in ottime condizioni. Book.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Buone.

Hardcover. 95, [55] S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. 72-2135 Sprache: Deutsch Gewicht in Gramm: 1500.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie Condizioni dell'interno: Buone.

Collana "I grandi libri illustrati". Un volume di 23(-65) pagine, brossura editoriale illustrata. Dimensioni: 23x29,5 cm. Piccola sigla di possesso nell'angolo superiore destro della pagina di titolo, per il resto ottime condizioni. XVI tavole in b/n fuori testo. Introduzione di Mario Praz.

Zustand: Buone. italiano Condizioni dell'esterno: Discrete con difetti, macchie bruniture Condizioni dell'interno: Discrete con Difetti, bruniture.

Milano, Rizzoli, 1975, 4to brossura con copertina illustrata, pp. 22 con 16 tavole illustrate in nero fuori testo. Introduzione di M. Praz. Copia molto buona.

Milano, Rizzoli, 1975, 4to (cm. 29,5 x 23) brossura editoriale con copertina illustrata, pp. 22 con una tavola in antiporta e 30 tavole con riproduzioni di incisioni fuori testo (Bur). Prima edizione.

Zustand: Come Nuovo. Rimanenza di magazzino, libro nuovo che presenta lievi difetti di copertina Dettagli LibroSku: PZZLB18110ISBN: 9788884162953Titolo: Le CarceriAutore: Giovan Battista PiranesiEditore: AbsconditaAnno: 2011Pagine: 148Formato: BrossuraPiranesi fu uno dei pochi geni tragici d'Italia, avendo a soli compagni Dante e Michelangelo. E ciascuno di questi geni era tragico, perché con lui si chiudeva un'epoca, un ciclo. Con Dante il Medioevo e secoli di violenza, di amor cortese e di visioni mistiche erano giudicati e riassunti in una costruzione apocalittica. Con Michelangelo il Rinascimento, e un mondo di esaltati titani vacillava sull'orlo della stanchezza, e la voluttà di Leda si mutava nel languore tenebroso della Notte. Ma con Piranesi tutto quello che l'Italia aveva avuto di civiltà, di sublimità di moli magnifiche, di gloria d'imperatori e di pontefici, di apparati festivi di gaie scenografie, di pompe funebri di solenni esequie, trovava il suo monumentale epitaffio. (Dall'introduzione di Mario Praz). Con uno scritto di H.

brossura paperback. Zustand: Ottimo (Fine). 148 p. Illustrato paperback 148 9788884166234 Ottimo (Fine) . Book.

In 4° piccolo; bross. edit. illustrata (lievissimi segni d'uso); pp. 21-(3); con XVI riproduzioni a doppia pagina delle incisioni piranesiane; introduzione di Mario Praz; coll. I grandi libri illustrati. Molto buona la conservazione.

Zustand: Very good. ROME. A fine album of four works by the Italian architect Giovanni Battista Piranesi (1720-1778), âthe great engraver who was the interpreter and virtually the inventor of Romeâs tragic beautyâ (Marguerite Yorcenar). Comprising the second editions of the Opere varie and Carceri dâinvenzione, and the fist editions of Trofei di Ottaviano Augusto, and Antichita Romane deâ Tempe della Republica.The album commences with the second edition of the Opere varie and Carceri dâinvenzione, and the first of Trofei di Ottaviano Augusto and Antichita Romane.Opere varie: title in red and black with engraved vignette (Robisonâs second issue), Prima Parte, second edition, second issue, engraved frontispiece (Robisonâs fourth state),16 plates (complete); 10 plates on 5 sheets from Opere varie [Wilton-Ely 45-50]; 2 single plates: Pianta di ampio magnifico Collegio: a single plate, third state (of seven) [Robison 25] & Partie diamplo magnifico Porto: a single plate, fourth state (of 8) [Robison 26]. These two plates unnumbered (later versions of the 1781 issue of these plates have numbers added (see Hind p. 81); Grotteschi: 4 plates. Second or third states [Robison 21-24] Carceri: second edition, second issue, double-page engraved title and 15 double-page plates (numbered II-XVI)Trofei di Ottaviano Augusto, first edition. Rome: G. G. Salmoni, 1753, title in red and black with engraved vignette, 8 (of 9) unnumbered plates, 4 double-page, lacking one plate (the view of the Castello, title spotted Antichita Romane deâ Republica, first edition (1748). 30 engraved plates (including title, dedication, and 2 plates of inscriptions). Contemporary half vellum, marbled boards, edges decorated in red; minor repairs, some minor wear.A very fine album of four works by Giovanni Battista Piranesi (1720-1778), âthe great engraver who was the interpreter and virtually the inventor of Romeâs tragic beautyâ (Marguerite Yorcenar). The album commences with the second edition (1761) of Opere varie di architettura, prospettive, grotteschi, antichita, which contains some of Piranesiâs most imaginative work, The artist himself has left us a statement of purpose for the undertaking: âWhen I realized that in Rome the majority of the ancient monuments were lying forsaken in fields or gardens, or even now serving as a quarry for new structures, I resolved to preserve their memory with the help of my engravings, I have therefore attempted to exercise the greatest possible exactitude,â This does not mean, however, that the plates were conceived as exactrepresentations of ancient Rome. Andrew Robison has written in great detail concerning the influence of contemporary stage design on Piranesiâs work. If the artist achieves the archaeological sublime, it is by following the example of dramatic theatricality. Each plate conjures up a vast and unforgettable tableau often peopled with actors dwarfed by their surroundings. The Opere varie is the perfect lead-in to the second and most remarkable work in the album, Carceri dâinvenzione. Marguerite Yorcenar has asserted that the Imaginary Prisons âtransform the substance of Rome into the irrational,â It has been claimed that Piranesi conceived his prisons while suffering deliriums brought on by a fever. Without the artistâs celebrated stage-set views of Rome, the phantasmagorical universe of the Prisons would not be possible. Like the Romanviews, these plates too are tableaux; in this case, conceived by a violent dreamer. The Carceri were not much admired during Piranesiâs lifetime, but they cast a long shadow over future generations of artists and writers. Goyaâs Capricios and his late Black Paintings certainly bear the imprint of Piranesi, It was Victor Hugo who coined the phrase âthe dark brain of Piranesiâ in one of his poems. His influence in Francecan be felt in Sade, Baudelaire, Rimbaud (A Season in Hell) and others; in America his obvious heir is Poe; in Britain, Walpole (The Castl.

Pappband. 34 cm x 23,8 cm. Pappband. Mit 18 ganzseitigen Abb. Einbandkanten teils berieben, sonst gutes Exemplar. Exemplar Nr. 710/900.

Hardcover. Zustand: Fine. Limited Edition. Number 736 of a limited edition of 900 copies. Translation by Lily Sauter of Marguerite Yourcenar's essay "Le cerveau noir de Piraneese" in "Sous benefice d'inventaire". Large-format volume, measuring approximately 9.5" x 13.25", is bound in red paper-covered boards, with stamped white lettering to spine. Book displays very light shelfwear, with sunning to spine. Binding is firm. Interior is clean and bright. Intact cardboard slipcase, with pastedown offering reproduction of Piranesi etching on one side panel, shows scuffing to opposite panel and at edges. 67 pages. This German-language work contains a reproduction of a series of 16 etchings by the Italian artist Giovanni Battista Piranesi, known as the "Carceri d'invenzione" (Second State, 1761; p. [7]-[37] (plate I-XVI)). All depict enormous subterranean vaults with stairs and mighty machines, in rather extreme versions of the "capriccio", a favorite Italian genre of architectural fantasies; the first title page uses the term.

Exemplar Nr. 799. 79 S. Sprache: Deutsch Gewicht in Gramm: 1800 4°, Kartoneinband, im Schuber ( dieser an den Ecken bestossen ), schöner Zust.

Hardcover-Großformat. Zustand: Gut. 67 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 750.

Fol. XVI Bl. / 1 Bl. / S. 43 - 67, 1 Titelbild Gut erhalten, im illustr. Schuber ( minimale Gebrauchsspur ), den Einband fertigte Willy Pingel, Heidelberg Aufgrund EVR kein Versand nach Österreich, Polen, Frankreich, Spanien. Sprache: Deutsch Gewicht in Gramm: 550.

No Binding. Zustand: Very Good. 1st Edition. "Imaginary Prisons." Unbound drawings by Piranesi from the Arthur Sackler collection, in a pictorial cardboard wrapper. 34 drawings on heavy paper. No publication date is given. The wrapper has slight edge wear (see image) but is intact. The individual papers are age tanned but are clean and unmarked. Images shown are of the actual item. Free shipping within the US.

in4, sous boitage carton vert en etat passable (un peu sali avec quelques petits chocs sur les plats, coins frottes et une arete abimee avec manque du revetement orange), 1970, 26 pages de texte + 18 planches, livre bon etat d'usage, chemise avec dechirures sans manque scotchees au bas du dos, feuillets interieurs non broches tres propres avec 18 planches illustrees en noir et blanc en fin d'ouvrage, exemplaire numerote, Le Club Francais du Livre.

XVI Bl. : Abb., S. 43 - 67, 1 Titelbild ; 4 Sehr guter Erhaltungszustand. Geringe Lager- und Gebrauchsspuren. Beiliegend textbezogene Zeitungsartikel. Sprache: Deutsch Original-Pappband im illustrierten Pappschuber.

Hardback. Zustand: Good. Pianesi, Giovanni Battista (illustrator). First Edition. [6], sixteen engravings. Two colour cloth, author and title in gilt to upper cover, t.e.g. Spine browned, white cloth soiled, rubbed to edges and corners, green cloth lightly rubbed to lower cover. Internally the free endpapers have browned, otherwise fairly bright and clean. Title in red and black. Proof copy, with pencil amendments to title and single leaf of text. The proof prospectus is laid in loosely, this with a note in pen to head. For the press, operating between 1895 and 1905, and based at 7 Cecil Court, see Tompkinson, 'A Select Bibliography of Modern Presses', page 236 (mentioning two titles, but not this one) Size: Elephant Folio. Proof.

Inc. su rame, mm.363x270, su foglio di mm.370x555. Tiratura ottocentesca della "Regia Calcografia nazionale" (Cfr. Petrucci, "Catalogo generale delle stampe tratte dai rami incisi posseduti dalla Calcografia Nazionale", p.259, n.338b). Qualche ombreggiatura ai marg. bianchi e strappo restaurato al merg. destro. Al verso segnature a lapis.

Gr.2° (ca. 72 x 51 cm). Mit 32 Tafeln. Lose in Original-Kartonband -Flügelmappe. Piranesi war Architekt und Kupferstecher in Rom. Er widmete sich fast nur dem Vedutenstich, insbesondere der Wiedergabe der römischen Antike. Wegen der Eindringlichkeit und Monumentalität seiner Radierungen, wird er auch häufig als "Rembrandt der Architektur" bezeichnet. - Titelblatt im Fußsteg mit Randeinriß (ca. 1 cm). Flügelmappe (finger-) fleckig, mit 1 Einriß und knickspurig. Gewicht (Gramm): 2000.

Zustand: Very Good. The Staircase with Trophies, from Carceri d'Invenzione. Robison 34v/vi, Focillon 31, Hind 8.Paper with watermark (Robison 82) Robison's fifth state (of 6), Robison's second edition, fourth issue. A fine 18th century Rome edition on thick laid paper.Giovanni Battista Piranesi is celebrated for his dramatic renderings of Roman landmarks. Whereas his views of Rome are largely based on known monuments, his ?imaginary prisons? are grounded in fantasy and inspired by the ancient past. Informed by the artist?s profound knowledge of classical architecture, the etching shown here features a colossal vaulted structure with intricately arranged staircases leading to spaces beyond view, seemingly going nowhere. Bewildering both in complexity and scale., Image Size : 552x403 (mm), 21.73x15.87 (Inches), Platemark Size : , Paper Size : 784x559 (mm), 30.87x22.01 (Inches), Black & White, Copper Engraving.