salo 120 days sodom von pier paolo pasolini marquis sade, Gebraucht (4 Ergebnisse)

Vintage borderless reference photograph from the 1975 film, showing director Pier Paolo Pasolini atop a ladder, adjusting a small hand-held camera. Four wealthy, corrupt libertines kidnap a group of teenagers from the Italian countryside and perform violent, sadistic acts of torture on them for four months. Pasolini's final film, set during the last days of fascist rule in Italy, and inspired by the writings of Dante, Friedrich Nietzsche, and the Marquis de Sade. 7.74 x 11.75 inches. Near Fine. BFI 1114. Criterion Collection 17. Godard, Histoire(s) du cinema.

Six vintage borderless studio still photographs from the 1975 film. German mimeo snipe on verso of five of the photographs, "bitte zuruck" stamp on verso of three of the photographs and a "UNIKAT" sticker on the verso of 1 of the photographs. Pasolini's final film, set during the last days of fascist rule in Italy, and inspired by, rather than based directly on, the writings of the Marquis de Sade. 7 x 9.5 inches. Near Fine. BFI 1114. Criterion Collection 17. Godard, Histoire(s) du cinema.

Seven vintage borderless reference photographs from the 1975 Italian-French film. Three with printed mimeo snipes affixed to the verso, specific to the film's German release. Four wealthy, corrupt libertines kidnap a group of teenagers from the Italian countryside and perform violent, sadistic acts of torture on them for four months. Pasolini's final film, set during the last days of fascist rule in Italy, and inspired by the writings of Dante, Friedrich Nietzsche, and the Marquis de Sade. Shot on location throughout Italy. Four photographs 10 x 8 inches, three photographs 9.5 x 7 inches. Near Fine. BFI 1114. Criterion Collection 17. Godard, Histoire(s) du cinema.

Vintage oversize borderless black-and-white double weight photograph from the set of the 1975 Italian film. With the stamp of photographer Deobrah Imogen Beer (as Deobrah Beer) on the verso, along with a typescript snipe. Also described in an ink notation on the verso is the content of the photograph, wherein Pasolini is making a lively gesture toward actress Caterina Boratto. 29 x 19.5 inches. Fine. BFI 1114. Criterion Collection 17. Godard, Histoire(s) du cinema.