trobar von george economou joan kelly robert (8 Ergebnisse)

Soft cover. Zustand: Very Good. 1st edition. VG. 8vo, 44pp, stapled wrappers. Final issue of this important little magazine, including work by LeRoi Jones, Charles Olson, Robert Duncan, et al. Unmarked copy, a bit of sunning and wear to wrappers. Not Signed.

Saddle-stitched. Octavo, 44 pages. Purple wraps have mild shelving wear along extremities, mild general scuffing, and moderate sun-fading along spine; saddle-stitched staples mildly rusted, upper staple partially detached (does not affect readability). Text block edges mildly age toned. Shelved in Room B. Final issue of Trobar, an American poetry journal which produced five volumes in Brooklyn, New York between 1960 and 1964. Albeit short-lived, Trobar's publication had an immense influence on the realm of deep image poetry, which centralized rhythm and movement. Editor George Economou would subsequently develop Trobar Books, his own small press. 1395131. Special Collections.

Cover by Abbe Breuil (illustrator). Star-studded and storied poetry and poetics journal from the Deep Image school. Contributors include Robert Duncan, Louis Zukofsky, Margaret Randall, Diane Wakoski, Gerrit Lansing, Jackson Mac Low, George Economou, Robert Kelly, LeRoi Jones, Jerome Rothenberg, Armand Schwerner, Paul Blackburn, Joel Oppenheimer, Philip Lamantia, Rochelle Owens. Very Good, light edge and handling wear, slight vertical crease running throughout Side-stapled 8vo, illustrated blue cardstock wraps, 44 pp.

Cover by Abbe Breuil (illustrator). Star-studded and storied poetry and poetics journal from the Deep Image school. Contributors include Paul Blackburn, Robert Creeley, Edward Dorn, Robert Duncan, George Economou, Seymour Faust, George Hitchcock, LeRoi Jones, Robert Kelly, Rochelle Owens, Jerome Rothenberg, Armand Schwerner, Gary Snyder. Good, strong binding, foxing and toning throughout, soiled wraps former price in pen to front cover Side-stapled 8vo, illustrated cardstock wraps, 28 pp.

Softcover. First Edition. Octavo, 44 pages. In Very Good minus condition. Wraps have mild general scuffing, a small closed tear along rear head edge, mild shelving wear and sun-fading along extremities. Textblock edges mildly age toned. Shelved Room B. Fourth issue of Trobar, an American poetry journal which produced five volumes in Brooklyn, New York between 1960 and 1964. Albeit short-lived, Trobar's publication had an immense influence on the realm of deep image poetry, which centralized rhythm and movement. Editor George Economou would subsequently develop Trobar Books, his own small press. 1395134. Special Collections.

Saddle-stitched. First Edition. Octavo, 32 pages. In Very good minus condition. Wraps have mild general soiling, mild shelving wear along extremities, and moderate general age toning. Text block edges mildly age toned and scuffed. Shelved in Room B. Third issue of Trobar, an American poetry journal which produced five volumes in Brooklyn, New York between 1960 and 1964. Albeit short-lived, Trobar's publication had an immense influence on the realm of deep image poetry, which centralized rhythm and movement. Editor George Economou would subsequently develop Trobar Books, his own small press. 1395133. Special Collections.

Softcover. First Edition. Octavo, 28 pages. In Good plus condition. Wraps have mild general soiling, scuffing and rubbing wear, moderate age toning and moderate soiling to rear cover. Text block mildly age toned throughout. Shelved in Room B. First issue of Trobar, an American poetry journal which produced five volumes in Brooklyn, New York between 1960 and 1964. Albeit short-lived, Trobar's publication had an immense influence on the realm of deep image poetry, which centralized rhythm and movement. Editor George Economou would subsequently develop Trobar Books, his own small press. 1395132. Special Collections.

Soft cover. Zustand: Very Good. One of the important organs for one branch of the so-called "Deep Image" school of Jerome Rothenberg & Robert Kelly. (The other, more successful branch was Robert Bly's, Rothenberg's erstwhile friend.) #1 may be in the best shape. #3 has some discoloration on the front cover. #5 has 4 lines of Enslin's poem blacked out, as usual. Contributors include: Gary Snyder, Ed Dorn, Margaret Randall, Robert Duncan, Robert Creeley, Diane Wakoski, Philip Lamantia, Louis Zukofsky, Charles Olson, John Wieners, Anselm Hollo, and many others.